Pretty awesome new ad from... IKEA. Who would have thought!
31 janeiro, 2019
30 janeiro, 2019
Numa sala perto de mim #397
Wildlife (2018) tells the story of a 14 year old boy who keeps his sanity despite having pretty screwed up parents. Rather disturbing but somewhat refreshing (in a sad way) as it moves away from the clichés of coming of age movies.
29 janeiro, 2019
Palavras lidas #404
Wild Geese
Mary Oliver (1935-2019)
You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting–
over and over announcing your place
in the family of things.
Mary Oliver (1935-2019)
You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting–
over and over announcing your place
in the family of things.
Etiquetas:
Palavras lidas,
Poesia-Poetry
28 janeiro, 2019
No Times de hoje #190
Apropos yesterday's Holocaust Remembrance day, there was an article in the New York Times on Sousa Mendes's heroic actions to save Jews fleeing the Holocaust and the price he paid for them.
27 janeiro, 2019
Foi neste dia #328 (1945)
Há 74 anos o exército soviético libertava os sobreviventes do campo de concentração de Auschwitz-Birkenau na Polónia. Desde então, a 27 de Janeiro celebra-se internacionalmente o Dia da Lembrança do Holocausto, em memória de tantos que foram forçados a partir antes da sua hora.
Etiquetas:
Aqueles dias,
Histórico
26 janeiro, 2019
25 janeiro, 2019
24 janeiro, 2019
23 janeiro, 2019
Inverno #59
A primeira neve do ano (e do inverno) foi tímida
mas chegou bem.
Agradecida mas não é preciso mais.
Não carece!
22 janeiro, 2019
Foi neste dia #327 (1808)
A Chegada de Dom João VI à Bahia, Cândido Portinari, 1952
Há 211 anos chegavam a São Salvador da Baía a familia real e a corte portuguesas, saídas de Lisboa dois meses para fugir às invasões francesas.
21 janeiro, 2019
Numa sala perto de mim #396
They Shall Not Grow Old (2018). Nearly one million British soldiers perished in World War I. They are the subject of Peter Jackson's documentary, launched last November for the centennial anniversary of the Armistice in 1918. The documentary shows images of joy, camaraderie, fear, indignity, worry, pain, death, horror. They did not grow old and the coloured 100 year old footage shows us how young they were.
20 janeiro, 2019
Numa sala perto de mim #395
The Hate You Give (2018) puts the 1989 movie Do the Right Thing in the context of the current Back Lives Matter movement. The problematic neighbourhoods are the same., where poverty and crime lead people to engage in illegal activities. Additionally, the differential attitude of the police towards blacks makes matters worse. The permanent denial of civil rights and liberties to a segregated population is simply appalling. Traumatic events witnessed by children from very young ages mark them forever. The latent conflict passes from one generation to the next in a process with no end. Breaking the cycle is hardly ever an option.
19 janeiro, 2019
18 janeiro, 2019
Numa sala perto de mim #394
Bohemian Rhapsody (2018) tells the story of Freddie Mercury in Queen with some license, necessary in a 2h15m movie. I liked it! Makeup did a good job in approximating the actors to the original characters, but Brian May and John Deacon are especially close. Rami Malek's performance is great, and very Freddie like, but he's less well built and has much less hair.
17 janeiro, 2019
16 janeiro, 2019
Parece que estou a ouvir #275
Teardrop
Massive Attack
Love, love is a verb
Love is a doing word
Fearless on my breath
Gentle impulsion
Shakes me, makes me lighter
Fearless on my breath
Teardrop on the fire
Fearless on my breath
Night, night of matter
Black flowers blossom
Fearless on my breath
Black flowers blossom
Fearless on my breath
Teardrop on the fire
Fearless on my
Water is my eye
Most faithful mirror
Fearless on my breath
Teardrop on the fire
Of a confession
Fearless on my breath
Most faithful mirror
Fearless on my breath
Teardrop on the fire
Fearless on my breath
It's tumbling down
It's tumbling down
Massive Attack
Love, love is a verb
Love is a doing word
Fearless on my breath
Gentle impulsion
Shakes me, makes me lighter
Fearless on my breath
Teardrop on the fire
Fearless on my breath
Night, night of matter
Black flowers blossom
Fearless on my breath
Black flowers blossom
Fearless on my breath
Teardrop on the fire
Fearless on my
Water is my eye
Most faithful mirror
Fearless on my breath
Teardrop on the fire
Of a confession
Fearless on my breath
Most faithful mirror
Fearless on my breath
Teardrop on the fire
Fearless on my breath
It's tumbling down
It's tumbling down
15 janeiro, 2019
14 janeiro, 2019
Palavras lidas #403
Six O'Clock
by Trumbull Stickney
Now burst above the city’s cold twilight
The piercing whistles and the tower-clocks:
For day is done. Along the frozen docks
The workmen set their ragged shirts aright.
Thro’ factory doors a stream of dingy light
Follows the scrimmage as it quickly flocks
To hut and home among the snow’s gray blocks.—
I love you, human labourers. Good-night!
Good-night to all the blackened arms that ache!
Good-night to every sick and sweated brow,
To the poor girl that strength and love forsake,
To the poor boy who can no more! I vow
The victim soon shall shudder at the stake
And fall in blood: we bring him even now.
by Trumbull Stickney
Now burst above the city’s cold twilight
The piercing whistles and the tower-clocks:
For day is done. Along the frozen docks
The workmen set their ragged shirts aright.
Thro’ factory doors a stream of dingy light
Follows the scrimmage as it quickly flocks
To hut and home among the snow’s gray blocks.—
I love you, human labourers. Good-night!
Good-night to all the blackened arms that ache!
Good-night to every sick and sweated brow,
To the poor girl that strength and love forsake,
To the poor boy who can no more! I vow
The victim soon shall shudder at the stake
And fall in blood: we bring him even now.
Etiquetas:
Palavras lidas,
Poesia-Poetry
13 janeiro, 2019
12 janeiro, 2019
Palavras lidas #402
The Naming Of Cats
The Naming of Cats is a difficult matter,
It isn't just one of your holiday games;
You may think at first I'm as mad as a hatter
When I tell you, a cat must have THREE DIFFERENT NAMES.
First of all, there's the name that the family use daily,
Such as Peter, Augustus, Alonzo or James,
Such as Victor or Jonathan, George or Bill Bailey--
All of them sensible everyday names.
There are fancier names if you think they sound sweeter,
Some for the gentlemen, some for the dames:
Such as Plato, Admetus, Electra, Demeter--
But all of them sensible everyday names.
But I tell you, a cat needs a name that's particular,
A name that's peculiar, and more dignified,
Else how can he keep up his tail perpendicular,
Or spread out his whiskers, or cherish his pride?
Of names of this kind, I can give you a quorum,
Such as Munkustrap, Quaxo, or Coricopat,
Such as Bombalurina, or else Jellylorum-
Names that never belong to more than one cat.
But above and beyond there's still one name left over,
And that is the name that you never will guess;
The name that no human research can discover--
But THE CAT HIMSELF KNOWS, and will never confess.
When you notice a cat in profound meditation,
The reason, I tell you, is always the same:
His mind is engaged in a rapt contemplation
Of the thought, of the thought, of the thought of his name:
His ineffable effable
Effanineffable
Deep and inscrutable singular Name.
by T. S. Eliot
The Naming of Cats is a difficult matter,
It isn't just one of your holiday games;
You may think at first I'm as mad as a hatter
When I tell you, a cat must have THREE DIFFERENT NAMES.
First of all, there's the name that the family use daily,
Such as Peter, Augustus, Alonzo or James,
Such as Victor or Jonathan, George or Bill Bailey--
All of them sensible everyday names.
There are fancier names if you think they sound sweeter,
Some for the gentlemen, some for the dames:
Such as Plato, Admetus, Electra, Demeter--
But all of them sensible everyday names.
But I tell you, a cat needs a name that's particular,
A name that's peculiar, and more dignified,
Else how can he keep up his tail perpendicular,
Or spread out his whiskers, or cherish his pride?
Of names of this kind, I can give you a quorum,
Such as Munkustrap, Quaxo, or Coricopat,
Such as Bombalurina, or else Jellylorum-
Names that never belong to more than one cat.
But above and beyond there's still one name left over,
And that is the name that you never will guess;
The name that no human research can discover--
But THE CAT HIMSELF KNOWS, and will never confess.
When you notice a cat in profound meditation,
The reason, I tell you, is always the same:
His mind is engaged in a rapt contemplation
Of the thought, of the thought, of the thought of his name:
His ineffable effable
Effanineffable
Deep and inscrutable singular Name.
Etiquetas:
Palavras lidas,
Poesia-Poetry
11 janeiro, 2019
Numa sala perto de mim #393
A Star is Born (2018) is a remake of the classic tale of a rising star and a falling star. It has all the elements of a country song: the thrill, the bottle of booze, the addiction, the sex, the love, the ultimate disappointment, and the tragedy. Of course there are the cowboy boots and hat, the exciting concerts, the rock n' roll, and a little country flavor without being tacky. In the end it's a well told and acted love story.
It brought me fond memories of Nashville, though music City is never even mentioned... the closest they get is Memphis. What surprised me? Bradley Cooper's deep voice. Lady Gaga looking normal. The powerful moment of Shallow... a very (!) rare event of goose bumps for me. The melodramatic end and the corresponding sobbing around the theatre.
10 janeiro, 2019
Parece que estou a ouvir #274
Maybe it's Time
by Bradley Cooper
Maybe it's time to let the old ways die
Maybe it's time to let the old ways die
It takes a lot to change a man
Hell, it takes a lot to try
Maybe it's time to let the old ways die
Nobody knows what awaits for the dead
Nobody knows what awaits for the dead
Some folks just believe in the things they've heard
And the things they read
Nobody knows what awaits for the dead
Nobody speaks to God these days
Nobody speaks to God these days
I'd like to think he's looking down and laughing at our ways
Nobody speaks to God these days
When I was a child they tried to fool me
Said the worldly man was lost and that the hell was real
Well, I've seen hell in Reno
And this world's one big ol' Catherine wheel
Spinnin' still
Maybe it's time to let the old ways die
Maybe it's time to let the old ways die
It takes a lot to change your plans
Hella drain to change your mind
Maybe it's time to let the old ways die
Oh, maybe it's time to let the old ways die
by Bradley Cooper
Maybe it's time to let the old ways die
Maybe it's time to let the old ways die
It takes a lot to change a man
Hell, it takes a lot to try
Maybe it's time to let the old ways die
Nobody knows what awaits for the dead
Nobody knows what awaits for the dead
Some folks just believe in the things they've heard
And the things they read
Nobody knows what awaits for the dead
I'm glad I can't go back to where I came from
I'm glad those days are gone, gone for good
But if I could take spirits from my past and bring' 'em here
You know I would, you know I would
I'm glad those days are gone, gone for good
But if I could take spirits from my past and bring' 'em here
You know I would, you know I would
Nobody speaks to God these days
Nobody speaks to God these days
I'd like to think he's looking down and laughing at our ways
Nobody speaks to God these days
When I was a child they tried to fool me
Said the worldly man was lost and that the hell was real
Well, I've seen hell in Reno
And this world's one big ol' Catherine wheel
Spinnin' still
Maybe it's time to let the old ways die
Maybe it's time to let the old ways die
It takes a lot to change your plans
Hella drain to change your mind
Maybe it's time to let the old ways die
Oh, maybe it's time to let the old ways die
09 janeiro, 2019
08 janeiro, 2019
07 janeiro, 2019
Espantos #566
Aquele momento mágico do céu cor-de-rosa antes do nascer do sol
That magic moment before sunrise when the sky turns pink
06 janeiro, 2019
Parece que estou a ouvir #273
Sangemil
Miguel Araújo
Please don't let me be misunderstood
Isto não é Liverpool nem é Hollywood
Mas Liverpool também não era Nashville
E o mundo também passa aqui por Sangemil
This could be the last time (I don't know)
Please don't let me be misunderstood
Isto não é Liverpool nem é Hollywood
Mas Liverpool também não era Nashville
E o mundo também passa aqui por Sangemil
This could be the last time (I don't know)
Nem sei o que é que da primeira vez ficou
Uma canção é só uma canção
Just like a woman, like a rolling stone
O primeiro acorde
O primeiro acordo
Primeiro que acorde
Do primeiro amor
It was twenty years ago today
O primeiro-sargento taught the band to play
Liverpool nem sabe o quanto Nashville
Sonhou com uma cave ali em Sangemil
Leves, leves pesam as canções
Elvis de levis, eu de calções
De todos os que nunca vão ser cá da gangue
God, I know I'm one
O primeiro pacto
O primeiro impacto
A falta de tacto
Do primeiro amor
O primeiro acorde
O primeiro acordo
Primeiro que acorde
Da primeira dor
Uma canção é só uma canção
Just like a woman, like a rolling stone
O primeiro acorde
O primeiro acordo
Primeiro que acorde
Do primeiro amor
It was twenty years ago today
O primeiro-sargento taught the band to play
Liverpool nem sabe o quanto Nashville
Sonhou com uma cave ali em Sangemil
Leves, leves pesam as canções
Elvis de levis, eu de calções
De todos os que nunca vão ser cá da gangue
God, I know I'm one
O primeiro pacto
O primeiro impacto
A falta de tacto
Do primeiro amor
O primeiro acorde
O primeiro acordo
Primeiro que acorde
Da primeira dor
05 janeiro, 2019
Coisas que não mudam #481
Pela fresquinha, Turim vestiu-se de rosa antes do meu voo matinal.
Já a Inglaterra cobriu-se de algodão para me receber.
Etiquetas:
Coisas que não mudam,
Travel
04 janeiro, 2019
03 janeiro, 2019
Caprichos #525
O Museu do Automóvel em Turim está muito bem construído,
passando pelo antigo,
o moderno,
e claro, o local. Lembrei-me do Frist...
02 janeiro, 2019
01 janeiro, 2019
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